I Claudius
I, Claudio, is the best-known novel by British writer Robert Graves and one of the great supersales of the 20th century. It is based on the stories of Tacit, Plutarco, and the Lives of the Twelve Cesars.
I, Claudio, is the best-known novel by British writer Robert Graves and one of the great supersales of the 20th century. It is based on the stories of Tacit, Plutarco, and the Lives of the Twelve Cesars.
Hercule Poirot travels at the Orient Express. During the accidental journey (the train is stopped in Croatia by a snowstorm) you must find out who had reason to kill a surname American Ratchett.
Celia was a happy girl, a young woman requested, a loving wife and given up. Her life was, she herself would recognize it later, vulgar; but marked by a congenital timidity that would lead her to make her mother the only psychological reference; and that dependence could only be broken by the very inscribes of Celia's history...
Bobby Jones, son of the vicar of Marchbolt, and his friend Dr. Thomas discover a man passed out while looking for a golf ball. The man seems to have been cleared because of the fog. While the doctor is going to get help, Bobby is standing next to the dying man who just before he died asks, "Why didn't they ask Evans?".
The protagonist, Yerma, is a woman from the Andalusian countryside, who has been married to her husband John for two years, but cannot conceive children and this is the greatest cause of her discontent. Her husband spends a lot of time working in the country, especially at night, and makes more effort to make money than to create a family.
An expedition of filmmakers comes to Africa to shoot a film about Tarzan, but the presence of an actor trying to imitate it causes confusion and unexpected dangers. As the expedition enters the jungle, the true Tarzan must face intrigues, threats and those who want to take advantage of his legend.
After winning in European cabarets, the flamenco dancer Juan Martínez and his partner Sole were caught in Russia during the 1917 revolutions and the subsequent civil war, surviving between St. Petersburg, Moscow and Kiev in the midst of chaos, violence and misery. Manuel Chaves Nogales, to whom Martínez reported his experiences in Paris, transformed them into El maestro Juan Martínez, a novel based on real facts that portrays with human intensity a world populated by artists, Russian aristocrats, spies, chechists and opportunists, and that confirms Chaves as one of the great voices of Spanish narrative journalism of the 1930s.
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